Anything You Can Do I Can Do Better -or- How Delusional Thou Art

I have a problem.  See, I see things on etsy (the online craft emporium) and I think - huh, I could make that.  I mean, it looks easy enough.  So I secretly yearn for the supplies.  I go to the craft supply store and look longingly at the materials I would need and price out the cost of each project.  I wrestle internally with rationalizing my need for this new creative outlet.  I feel held back by my lack of supplies.  I am tethered to the world of the uncreative by my inability to finance my artistic dreams.  But then, one day, I go for it.  I decide to try my hand at this new craft.  Usually I justify my purchase of materials under the guise of "I'm making it as a gift for a friend" and "It is much cheaper than buying the finished project."  The former is typically true.  I have all intentions of giving this as a gift.  The latter is also true.  If I had the talent, the project would be much cheaper than purchasing a final product.  The problem is that I know better than to believe both of these "excuses."  So today, I sit down with my clay and my sculpting tools to make a wedding gift for a friend.  It takes all of ten minutes for me to realize that this craft is going the same way as many of the other crafts I have attempted over the course of my life.  See when it comes to crafts, I am either a natural or I totally and completely suck.  There is no in between.  No grey area where the project turns out "good enough."  Its either awesome or crap and todays experiment was a big stinking pile of crap.  So I pass on the clay to my daughter to play with.  The tools will probably make it to a yard sale ten years or so in the future after living in a closet or the basement until then.  My ideas of sculpting the perfect gift are quickly thrown by the wayside.  They join the ranks of the pottery wheel, the handmade drapes, the quilt, the afghan, the cake decorating, the painting, the ceramics and all the others in my ever-growing unfinished craft project graveyard.  I should probably just stick with jewelry, card making, scrapbooking and drawing - things I know I can do.  But even as I type this, I think of the faux stained glass and the mosaic tile creations I have seen.  Surely they can't be THAT hard???  Hi, my name is quirky and I'm a delusional crafter . . .

How Great Thou Art

Today I had a wonderful conversation with a friend on what makes art art.  It all started with him asking me if I would be offended as someone who was raised Catholic if a crucifix was used in art.  Apparently there was a recent exhibit where a video media piece was removed because of complaints.  It had a shot of a crucifix with ants covering it contained in the piece.  I answered "It would depend.  First off, it is your choice to view the art.  If you don't like it, walk away but don't enforce your opinions on others.  Let them form their own opinions.  Art is art in the eye of the beholder.  Personally, if it is used in art with a purpose versus simply used for mockery and shock value then it would be ok, but if it is defiling the crucifix in some way I don't think I would agree with that unless the artist had another reason other than just defiling the religious object.  I believe each artist has a responsibility to create something that conveys something whether that be a message or an emotion or whatever.  Not that I think all art should be blatantly labeled or have an accompanying explaination.  I believe that art is an experience and each individual may get something different out of seeing that piece.  In turn, I think the viewer has the responsibility to educate himself on the art/artist hopefully prior to forming an opinion.  How do you know that which you are personally feeling will be the emotion or whatever invoked in others upon viewing the same piece?  You must consider the artist's intent.  When the responsibility of the artist to convey something and the responsibility of the viewer to educate themselves meet, that is the point where you find really great art.  Maybe that's why it is easier for someone to enjoy a Monet versus a Kandinsky - the Monet, being more blatant than the Kandinsky, is more easily conveying a message or an emotion to the viewer because the viewer can easily identify what is being conveyed.  When you take away that easy identification do you lose some of the viewers - yes because there is no way for them to relate to the piece unless they have done their homework or have a personal connection that they are making of some sort.  Would you feel that same why about a Monet if it were given a different title?  A more ambiguous title maybe?  Would you have a greater appreciation for abstract art if you knew more about why it was created or what it's purpose was expressed in the title?"  So the next time you go to a museum, pick out a painting that you just don't get, something that just doesn't speak to you, and do a little research on it later on.  You may just view the piece in a whole new light.